Behind the Woman
JoAnn Falletta
Season 5 Episode 2 | 26m 46sVideo has Closed Captions
Meet Grammy winning conductor and music director of the Buffalo Philharmonic Orchestra, JoAnn Fallet
On this episode, Dr. Juhanna Rogers sits down with world renowned conductor, JoAnn Falletta, to discuss her trailblazing career within the music industry. Learn more about how music transformed JoAnn's life, the courage it took to become a conductor, and how she continues to inspire her orchestra in capturing the essence of its community.
Behind the Woman is a local public television program presented by WCNY
Behind the Woman
JoAnn Falletta
Season 5 Episode 2 | 26m 46sVideo has Closed Captions
On this episode, Dr. Juhanna Rogers sits down with world renowned conductor, JoAnn Falletta, to discuss her trailblazing career within the music industry. Learn more about how music transformed JoAnn's life, the courage it took to become a conductor, and how she continues to inspire her orchestra in capturing the essence of its community.
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Learn Moreabout PBS online sponsorshipHELLO AND WELCOME TO "BEHIND THE WOMAN."
I'M YOUR HOST Dr. JUHANNA ROGERS AND TODAY I'M HONORED TO INTRODUCE GRAMMY WINNING MUSICIAN AND CONDUCTOR JOANN FALLETTA.
JOANN HAS CONDUCTED ORCHESTRAS ALL AROUND THE WORLD.
CURRENTLY SHE IS THE DIRECTOR OF THE BUFFALO PHILHARMONIC ORCHESTRA.
WHEN SHE BEGAN THIS ROLE IN 1999, SHE BECAME THE FIRST FEMALE DIRECTOR TO LEAD A MAJOR AMERICAN ORCHESTRA.
TODAY WE'LL LEARN MORE ABOUT JOANN'S TRAILBLAZING JOURNEY AND HOW BUFFALO'S ORCHESTRA CAPTURES THE SPIRIT OF THE CITY.
SO PICK UP THE PHONE AND CALL YOUR FRIENDS, BECAUSE BEHIND THE WOMAN IS ON, AND THEY DO NOT WANT TO MISS IT.
♪ ♪ ♪ ♪ ♪ I GOT A GOOD, GOOD FEEL, YEAH, I'M UP ON A CLOUD, AIN'T COMING BACK DOWN ♪ ♪ I GOT A GOOD, GOOD, GOOD FEELING ♪ ♪ YEAH, YEAH, I'M UP ON A CLOUD AIN'T COMING BACK DOWN ♪ WELCOME, JOANNE.
>> THANK YOU, JOHANNA.
I'M HONORED TO DO THIS WITH YOU.
>> SO TALK TO ME ABOUT HOW YOU FIRST GOT INTO MUSIC?
THERE IS A QUESTION ABOUT WHEN DID YOU FALL IN LOVE?
>> YOU KNOW, ALMOST EVERY MUSICIAN STARTS WHEN THEY'RE REALLY YOUNG.
I STARTED STUDYING AND PLAYING THE CLASSICAL GUITAR AT THE AGE OF 7, ON MY 7th BIRTHDAY I REMEMBER VERY CLEARLY.
BUT I GUESS I FELL IN LOVE WITH THE ORCHESTRA WHEN I STARTED TO GO TO CONCERTS AND I HEARD THE ORCHESTRA, THIS GIGANTIC GROUP OF MUSICIANS AND WHEN I WAS 11, I HEARD A CONCERT AND I SAID TO MY FATHER, THAT'S WHAT I WANT TO DO.
I WANT TO BE A CONDUCTOR.
NOW, I KNEW NOTHING ABOUT WHAT A CONDUCTOR DID, BUT I KNEW HOW I FELT WHEN I HEARD THAT MUSIC.
I WAS TRANSPORTED.
I WAS UPLIFTED AND SO THAT BECAME MY DREAM.
>> HUH.
WHAT KEPT YOU COMMITTED TO THAT DREAM, BECAUSE WHEN THEY SAY YOU ARE THE FIRST FEMALE CONDUCTOR TO LEAD A MAJOR ORCHESTRA IN THE UNITED STATES, THAT SAYS TO ME THAT THERE WERE A LOT OF BARRIERS YOU HAD TO OVERCOME.
>> AND IT TOOK A LOT OF TIME.
I THINK I WAS LUCKY IN THAT I DIDN'T REALIZE THAT THERE WERE NO WOMEN CONDUCTING AT THAT TIME, OR ALMOST NO WOMEN CONDUCTING.
BUT I JUST KNEW I WAS SO IN LOVE WITH THAT MUSIC, AND WITH THE GROUP OF THE ORCHESTRA, THAT TEAM.
SO I JUST KEPT ON STUDYING, AND GOING FROM SCHOOL TO SCHOOL AND REALLY, FRANKLY, I FELL LIKE FEEL LIKE NOW I'M LIVING THAT DREAM.
I'M VERY LUCKY.
BUT IT DID TAKE A VERY LONG TIME AND YES, FOR ALL OF US, THERE ARE BARRIERS.
PEOPLE WHO ARE SKEPTICAL ABOUT COULD A WOMAN REALLY DO THIS JOB?
FRANKLY.
I MEAN IT WAS ALWAYS DONE BY MEN.
AND YOU HAD TO BE VERY STRONG, YOU HAD TO BE IN CONTROL, YOU HAD TO HAVE TREMENDOUS AUTHORITY.
AND I THINK WOMEN HAVE LEARNED TO HAVE THEIR OWN SENSE OF AUTHORITY IN THEIR INDIVIDUAL UNIQUE WAY.
>> WHEN-- CAN YOU THINK OF A MOMENT OR SHARE A TIME WHEN YOU WERE GETTING FEEDBACK THAT WAS KIND OF REINFORCING, WE ARE NOT SURE THAT UJ YOU CAN DO THIS?
>> SOMETIMES PEOPLE WOULD SAY TO ME, WHAT HAPPENS IF YOU GET MARRIED AND YOUR HUSBAND DOESN'T WANT TO MOVE TO THE CITY WHERE YOU ARE GOING TO CONDUCT?
AND THINGS THAT SHOULDN'T REALLY BE DISCUSSED.
OR WILL THE ORCHESTRA REALLY LISTEN TO YOU BECAUSE YOU ARE A WOMAN?
AND THERE ARE GOING TO BE MEN AND WOMEN-- AT THAT TIME MOSTLY MEN.
SO THERE WAS A FEELING OF WILL YOU HAVE THE STRENGTH, OR WILL YOU HAVE THE AUTHORITY TO DO THIS?
AND I THINK PEOPLE SOMETIMES DOUBTED THAT, AND MAYBE THEY STILL DO WITH YOUNG WOMEN.
THEY STILL HAVE THE FEELING THAT CAN THIS HAPPEN, BUT IT'S CERTAINLY CHANGED.
>> WHAT WAS YOUR REPLY IN THOSE MOMENTS?
BECAUSE I IMAGINE, EVEN FOR MYSELF, THERE IS A LOT OF TIME WHEN THOSE QUESTIONS, LIKE YOU SAID, THEY STILL DO COME UP.
>> THEY COME UP, YEAH.
>> BUT WHAT WAS JOANNE FALETT'S RESPONSE BECAUSE WE MAY TRY IT.
>> I HAVE BEEN STUDYING FOR 10, 15, 20 YEARS TO EXACTLY KNOW HOW DO THIS JOB, TO CONDUCT, TO HELP AN ORCHESTRA SOUND BETTER AND BE BETTER, AND I'M READY FOR THAT.
YOU KNOW, I KNOW BECAUSE I HAVE STUDIED FOR SO LONG, SO I THINK THE EXPERIENCE THAT KIND OF FEELING OF EXPERIENCE, AND THEN THERE WERE PEOPLE WHO BELIEVED IN ME, WHO TRIED TO HELP, AND TRYING TO BELIEVE IN YOURSELF.
AND SOMETIMES, JOHANNA, ISN'T THAT THE MOST DIFFICULT THING?
>> YEAH.
>> NOT TO SORT OF FEEL DISCOURAGED OR, SORT OF HOPELESS ABOUT IT HAPPENING RIGHT AWAY.
I WAS TELL PEOPLE BE PATIENT AND JUST KEEP WORKING, KEEP WORKING, KEEP STUDYING AND THINGS WILL HAPPEN.
>> THINGS WILL HAPPEN.
>> WHEN I INTRODUCED YOU, I WAS INTENTIONAL ABOUT MENTIONING THE GRAMMY AWARD WINNING PART BECAUSE TO BE LOOKING AT LIKE THE GRAMMIES IS SOMETHING THAT'S FAR, FAR FROM WITHIN REACH FOR MANY PEOPLE.
>> THE GRAMMIES HAVE A LOT OF ALLURE, AND NO ONE KNOWS REALLY HOW YOU WIN A GRAMMY.
PEOPLE VOTE AND, BUT REALLY, THE GRAMMY WAS FOR ME AND THE BUFFALO PHILHARMONIC.
THAT'S WHAT IS SO THRILLING.
IT WAS FOR OUR ORGANIZATION.
SO I'M SO PROUD OF THAT BECAUSE, IN A WAY, IT PUTS BUFFALO ON THE MAP, YOU KNOW, SOMETIMES I THINK, AND WE TALKED ABOUT THIS BEFORE, THAT THE SMALLER CITIES IN NEW YORK STATE DON'T GET THE ATTENTION AND THE KIND OF-- THE KIND OF RESPECT THAT THEY DESERVE BECAUSE THERE ARE SO MANY WONDERFUL THINGS HAPPENING IN SYRACUSE, A CITY I LOVE AND HAVE BEEN MANY TIMES AND BUFFALO AND ROCHESTER AND ALBANY AND SO THIS GRAMMY MAY BE SHONE A LIGHT ON THE BUFFALO FILL PHILHARMONIC AND THAT MADE ME HAPPY.
>> LET'S TAKE A LOOK AT HOW JOANNE PREPARES AND INSPIRES HER ORCHESTRA WHEN IT'S TIME TO PERFORM IN CLIMB HANDS MUSIC HALL.
>> WE ARE AT THE MUSIC HALL AND WE HAVE BEEN REHEARSING FOR OUR CONCERT THIS WEEKEND, WHICH IS A BIG PROGRAM INCLUDING THE PLANETS.
I LIKE REHEARSALS.
I THINK THEY'RE A LOT OF FUN BECAUSE WE DON'T HAVE TO WORRY ABOUT THE YOU HAD-- ABOUT THE AUDIENCE ACTUALLY LISTENING.
WE CAN GO BACK AND FIX THINGS AND TRY THINGS IN DIFFERENT WAYS.
WE CAN TALK TO EACH OTHER IN REHEARSAL BUT A CONCERT WE CANNOT.
WE HAVE INTENSE COMMUNICATION.
WHETHER IT'S LOOKING AT SOMEONE, BODY LANGUAGE OR A TURN OF THE HEAD OR A LITTLE BIT OF A GLANCE AT SOMEONE.
WE ARE CONSTANTLY EXCHANGING INFORMATION.
AND TO ME, WHEN THINGS ARE GOING WELL, IT FEELS LIKE FLYING BECAUSE THE ORCHESTRA IS LIKE A FORCE FIELD.
WE HAVE SO MUCH ENERGY AND THEY'RE JUST PLAYING AT SUCH A HIGH LEVEL.
IT ALMOST FEELS LIKE I'M LEVITATING BECAUSE OF THEIR EXCELLENCE.
I DO A LOT OF STUDYING ON MY OWN AND AS A CONDUCTOR, YOU HAVE TO BE ABLE TO DEAL WITH A LOT OF ALONE TIME, YOU KNOW, NOT ONLY READING THE SCORES, STUDYING THE SCORES OVER AND OVER AGAIN, READING ABOUT THE COMPOSER.
WHY DID HOLTZ WRITE THE PLANETS AND WHAT WAS HE TRYING TO SAY?
HOW DID IT IMPACT THE PEOPLE OF HIS TIME?
WHAT WERE THEY GOING THROUGH?
IT WAS A TOUGH TIME IN ENGLAND.
SO KNOWING ALL OF THAT, TRYING TO GET AS MUCH KNOWLEDGE AS POSSIBLE, HELPS ME HELP THEM UNDERSTAND THE PIECE.
SO MY PASSION FOR CONDUCTING COMES FROM TWO THINGS.
ONE IS THE MUSIC ITSELF.
WHEN YOU ARE IN THE MIDDLE OF A BEETHOVEN SYMPHONY OR IN THE MIDDLE OF A GREAT PIECE BY MOZART OR GUSTAF HOLTZ, IT'S A GREAT LEGACY THAT BELONGS TO ALL OF US.
SO THAT GIVES ME ENERGY AND THAT GIVES ME A TREMENDOUS ENTHUSIASM AND INSPIRATION ALL THE TIME.
BUT EQUALLY TO THAT ARE THE MUSICIANS, BECAUSE THEY'RE THE PEOPLE WHO ARE ACTUALLY MAKING THE SOUND.
SO THEY HAVE TO BELIEVE IN IT.
AND THEY DO.
THEY COME IN WITH SUCH LOVE OF THE PIECES WE ARE PLAYING AND SUCH A DESIRE TO PLAY AT THE HIGHEST POSSIBLE LEVEL.
SO THAT'S VERY INSPIRING TO SEE THAT KIND OF COMMITMENT AND DEDICATION.
THE THEY STARTED OUT AS A WORKS PROJECT ORCHESTRA IN THE HEIGHT OF THE DEPRESSION; 80 YEARS AGO.
THEY WERE CREATED BY THE GOVERNMENT TO GIVE PEOPLE A JOB.
WE ARE VERY PROUD OF THAT.
WE ARE VERY PROUD OF OUR ROOTS IN PEOPLE.
YOU KNOW, BUFFALO IS A COMMUNITY THAT HAS BEEN THROUGH HARD TIMES, A LOT OF HARD TIMES IN THE LAST 100 YEARS EVEN, BUT THE THINGS THAT MATTER TO THEM, WHETHER IT WAS AN ART MUSEUM OR THE BUFFALO BILLS, THE B.P.O., THEY TOOK CARE OF THOSE ORGANIZATIONS.
THEY NEVER LET THEM GO.
YOU KNOW, THERE IS A VERY SPECIAL RELATIONSHIP HERE IN BUFFALO, AND I FELT IT WHEN I CAME 25 YEARS AGO, THAT IT WAS A PLACE THAT WOULD BE A GOOD PLACE TO MAKE MUSIC.
IT WAS A PLACE WHERE PEOPLE CARED AND PEOPLE WOULD BE THERE FOR YOU, WOULD BE SUPPORTIVE.
AND IT REMINDED ME OF MAYBE NEW YORK CITY WHEN I WAS A VERY YOUNG GIRL, I MEAN BECAUSE BUFFALO HAS RETAINED SO MUCH OF THAT BEAUTIFUL ARCHITECTURE THAT IT HAD AT THAT TIME, AND IT WAS A PLACE WHERE I THOUGHT EXCELLENCE COULD FLOURISH.
BUT WITH SUPPORT IN THE MIDDLE OF PEOPLE WHO REALLY CARED.
AND THAT IS NOT SO USUAL.
YOU KNOW, I HOPE WHEN PEOPLE HEAR AN ORCHESTRA, ANY ORCHESTRA OR HEAR ME CONDUCT OR THE BUFFALO PHILHARMONIC PLAY, THAT THEY WILL BE OVERWHELMED BY THE POWER AND THE BEAUTY OF THIS MUSIC BECAUSE MUSIC DOES CHANGE US.
I FEEL LIKE IF I CAN SHOW THEM HOW MUCH I LOVE THIS MUSIC AND HOW MUCH THE ORCHESTRA LOVES THE MUSIC, AND THAT IT IS OUR GIFT TO THEM.
WE WANT THEM TO LOVE IT.
THAT INCLUDES THEM IN A VERY WARM AND BEAUTIFUL WAY AND THEN WHETHER YOU LEAVE TWO HOURS LATER, YOU REALIZE THAT SOMETHING HAS HAPPENED TO YOU, SOMETHING HAS SHIFTED IN YOUR BRAIN, IN YOUR BODY, WHERE ALL OF A SUDDEN YOU ARE FEELING HOPEFUL, YOU ARE FEELING OPTIMISTIC.
YOU ARE FEELING GLAD THAT YOU CAME AND THAT'S THE POWER OF MUSIC.
A LOT OF PEOPLE HAVEN'T DISCOVERED IT YET.
HOPEFULLY THAT'S THE MESSAGE.
COME BACK AND JUST ENJOY THIS WORLD OF MUSIC THAT IS YOURS.
>> THAT WAS POWERFUL.
I HAD AN EXPERIENCE FOR ABOUT TWO YEARS NARRATING A PIECE WITH THE SYRACUSE ORCHESTRA.
AND STANDING IN THE ROOM OR STANDING ALONGSIDE OF THIS BODY OF MUSICIANS PLAYING MUSIC LIVE IS TRANSFORMATIVE, RIGHT?
>> IT'S THRILLING.
>> IT'S AN ADRENALINE RUSH THAT I NEVER IMAGINED... >> INSIDE THE MUSIC LIKE THAT OR -- THAT'S HOW I FEEL ON THE PODIUM.
THIS SENSE OF ENERGY, THIS SENSE OF ACCOMPLISHMENT AND EVEN JUST THE SOUND IS OVERWHELMING AND BEAUTIFUL.
>> AND BEAUTIFUL.
SO TALK TO ME A LITTLE BIT ABOUT WHAT IT'S BEEN LIKE TO LEAD THIS ORGANIZATION?
BUFFALO AND HOW YOU ARE BRINGING COMMUNITIES TOGETHER.
>> IT'S A GREAT PRIVILEGE TO ARE ME BECAUSE I BELIEVE THAT OUR ORCHESTRA BELONGS TO BUFFALO, ERIE COUNTY BECAUSE WE DRAW FROM NOT JUST THE CITY ITSELF.
SO WE RESPOND TO WHO BUFFALO IS, AND THAT'S WHAT IS SO BEAUTIFUL.
OUR COMMUNITIES, OUR DIFFERENT COMMUNITIES, THE PEOPLE WHO SPEAK DIFFERENT LANGUAGES, YOU KNOW, IT'S A VERY, VERY WONDERFULLY INTEGRATED CITY AND LOTS OF DIFFERENT PEOPLE COMING ALL THE TIME.
AND YOU MENTION THAT AT THE BEGINNING HOW AT THE THE ORCHESTRA REFLECTS BUFFALO.
THAT'S A BIG COMPLIMENT FOR US BECAUSE THAT'S WHY WE ARE HERE.
>> WHEN YOU ARE NOT AT THE ORCHESTRA, WHEN YOU ARE NOT IN YOUR OFFICE, WHEN YOU ARE NOT ON THE ROAD PLAYING, WHERE CAN YOU FIND JOANNE FALETTA?
>> WELL, YOU KNOW, I HAVE SO MUCH TIME WITH A LOT OF PEOPLE THAT I TEND TO LIKE, YOU KNOW, TO SORT OF JUST DO SOME MY YOGA, READ A BOOK, RIDE MY BIKE BY MYSELF, AND SO THERE IS A SOLITARY TIMES.
I THINK THE QUIET TIMES HELP ME, I DON'T KNOW, BUILD UP A SORT OF STRENGTH, A KIND OF ENERGY.
AND THEN WHEN I'M WITH PEOPLE, I LOVE IT.
I LOVE IT AND BEING WITH AN ORCHESTRA LIKE THE BUFFALO PHILHARMONIC WHICH IS SUCH HIGH LEVEL AND SUCH GREAT MUSICIANS, IT'S SUCH A PRIVILEGE.
IT'S EXCITING.
EVERY TIME I'M WITH THEM, I FEEL EXCITED THAT I'M IN THE MIDDLE OF THESE ARTISTS IT'S EXOORD.
>> SO READING A BOOK, RIDING A BIKE.
DO YOU STILL GET TO PLAY?
>> I WISH COULD I DO IT MORE.
I PLAYED CLASSICAL GUITAR WHEN I WAS A LITTLE GIRL AND THAT'S MY MAIN INSTRUMENT AND I LOVE PLAYING, ESPECIALLY WITH PEOPLE.
SOMETIMES WE PLAY CHAMBER MUSIC TOGETHER.
AND BECAUSE I TRAVEL SO MUCH, I DON'T DO IT AS MUCH AS I WOULD LIKE.
BUT I ALWAYS KEEP SAYING I'M GOING TO DO IT.
I'M GOING GET MORE TIME TO BE BACK AND DOING SOMETHING THAT I LOVED FROM CHILDHOOD.
>> YEAH.
WHAT WOULD YOUR NEXT JOB BE?
>> IT'S HARD TO KNOW.
I SAY THAT BECAUSE I NEVER IMAGINED THAT I WOULD LIVE IN BUFFALO.
I MEAN I DIDN'T KNOW.
AND BEFORE BUFFALO, I LIVED IN LONG BEACH, CALIFORNIA.
AND I NEVER WOULD HAVE IMAGINED THAT.
>> YOU WENT FROM ONE EXTREME TO THE OTHER.
>> I LIVED IN MILWAUKEE FOR A WHILE.
I LIVED IN NORFOLK, VIRGINIA.
AND THESE PLACES WERE ALL WONDERFUL FOR ME AND FOR MY DEVELOPMENT AS A MUSICIAN, BUT ALSO AS A PERSON.
SO RIGHT NOW WE STILL HAVE A LOT WE CAN DO IN BUFFALO.
WE ARE, THE ORCHESTRA IS GETTING STRONGER AND MORE INDIVIDUAL AND JUST FILLED WITH THEIR OWN PERSONALITY.
WE ARE MAKING RECORDINGS, AS YOU KNOW, AND WE GO ON TOUR.
AND MOST OF ALL, WE PLAY FOR OUR COMMUNITY.
SO I'M NOT THINKING SO MUCH AHEAD AS LIVING IN THE PRESENT.
>> LIVING IN THE PRESENT.
>> I THINK IT'S IMPORTANT.
>> IT SOUNDS LIKE THE LOOK IN YOUR EYES, YOU LOOK LIKE YOU ARE STILL IN LOVE WITH IT.
>> I AM TOTALLY IN LOVE WITH IT, WITH BUFFALO, WITH MUSIC.
SO THAT'S ANOTHER THING I TELL PEOPLE.
YOU KNOW, DON'T ALWAYS THINK ABOUT THE FUTURE ALL THE TIME.
LIVE IN THE PRESENT BECAUSE IT'S A BEAUTIFUL PRESENT.
EVERY DAY IS LIKE A GIFT.
AND EVERY REHEARSAL THAT I DO, EVERY CONCERT THAT I DO IS SOMETHING TO ME THAT IS SPECIAL.
SO... >> YEAH, IT'S NOT OFTEN THAT YOU HEAR-- AND THAT'S WHAT I THINK IS INSPIRING ABOUT GETTING WOMEN ON THE COUCH AND SIT SITTING DOWN AND TALKING.
WHEN YOU SEE SOMEONE, LOOKING IN YOUR EYES, AND HEAR THEM SAY I'M LIVING MY DREAM, RIGHT?
THAT'S NOT SOMETHING YOU OFTEN GET TO HEAR.
AND SO WHAT WOULD YOU SAY TO A YOUNG PERSON WHO HAD ASPIRATIONS ... >> YOU KNOW, IT'S VERY POSSIBLE.
AND I THINK THAT I WOULD TELL THEM DON'T GIVE UP, BUT DON'T EXPECT IT TO BE EASY BECAUSE THE THINGS THAT REALLY HAVE VALUE TAKE TIME.
I THINK THAT'S THE ONLY WAY I COULD HAVE DONE THIS IS BY BEING TOTALLY COMMITTED TO THE MUSIC THAT I LOVED, ESPECIALLY BECAUSE WOMEN HADN'T REALLY VENTURED INTO THIS FIELD TOO MUCH.
SO I HAD TO BE COMMITTED AND, YOU KNOW, FOR ME, IT WAS THE JOY OF MY LIFE, SO I THINK YOUNG WOMEN SHOULD KNOW THAT, THAT YOU CAN DO IT.
YOU CAN DO IT.
BUT-- >> IT'S NOT GOING TO BE EASY AND IT'S GOING TO TAKE TIME.
IT'S GOING TO TAKE TIME AND PATIENCE.
THERE ARE GOING TO BE SETBACKS.
THERE ARE GOING TO BE DISAPPOINTMENTS BUT STAY WITH IT, STAY WITH YOUR GOAL, BE FLEXIBLE, TOO.
AND KNOW THAT DOORS WILL START TO OPEN.
>> I THINK ONE OF THE THINGS, AS YOU WERE TALKING ABOUT, IT'S NOT GOING TO BE EASY.
I THOUGHT BACK TO YOUR POINTS ABOUT NOVA SCOTIA,-- NORFOLK VIRGINIA, LONG BEACH, CALIFORNIA AND MILWAUKEE, AND YOU HAD TO TRAVEL TO ALL THESE DIFFERENT PLACES.
>> ABSOLUTELY.
WHAT HAS CHANGING ENVIRONMENTS AND WORKING IN DIFFERENT COMMUNITIES DONE FOR YOU?
>> I HAVE LOVED IT.
AS YOU SAID, YOU IMPLIED VERY DIFFERENT PLACES RIGHT?
CALIFORNIA AND-- YOU KNOW, SOUTHEASTERN VIRGINIA.
AND VERY DIFFERENT.
I LEARNED SO MUCH ABOUT COMMUNITIES, ABOUT PEOPLE BECAUSE PEOPLE ARE DIFFERENT IN DIFFERENT PLACES BUT AT THE CORE, THEY'RE THE SAME.
THEY'RE BEAUTIFUL.
I MEAN THEY HAVE BEAUTIFUL SPIRITS.
SO THERE ARE A LOT OF GREAT PLACES IN OUR COUNTRY, IN THE WORLD, WHERE YOU CAN FOLLOW YOUR DREAMS.
SO JUST KEEP YOUR EYES OPEN AND IT'S GOING TO TAKE A LITTLE BIT OF COURAGE TO MAKE THOSE CHANGES.
>> WELL, ALREADY YOU SAID IT IS GOING TO BE HARD, JOANNE.
IT'S GOING TO BE HARD AND NOW WE NEED COURAGE.
>> I DON'T WANT TO DISCOURAGE ANYBODY BECAUSE PEOPLE KNOW THAT, LIKE ARTISTS AND LIKE YOURSELF, AND ACTORS AND WRITERS , PAINTERS, THEY KNOW THAT SOMETIMES YOU ARE NOT SURE IF PEOPLE WILL BELIEVE IN YOU OR APPRECIATE WHAT YOU DO, BUT YOU KEEP DOING IT BECAUSE SOMETHING INSIDE TELLS YOU YOU HAVE TO.
>> YOU HAVE TO KEEP DOING IT.
I DON'T THINK THAT'S DISCOURAGING.
I THINK WHAT YOU ARE SHARING IS THE TRUTH, RIGHT?
BECAUSE SOMETIMES US AS WOMEN, YOU KNOW, YOU SIT DOWN WITH SOMEONE IN AND THEY'RE LIVING THEIR DREAM AND THEY COULD EASE LIE LOOK AND SAY ANYBODY CAN DO IT, YOU JUST GO AFTER IT, RIGHT?
BUT I THINK THE POINTS THAT YOU ARE MAKING ABOUT, YEAH, YOU CAN BUT IT'S GOING TO BE HARD.
>> IT'S GOING TO TAKE DEDICATION.
>> IT'S GOING TO TAKE DEDICATION.
>> I'M JUST THINKING ABOUT WHAT SKILLS, LIKE IF COULD YOU TELL US LIKE WHAT SHOULD WE WORK ON IN ORDER TO BE DREAM CHASERS?
>> WELL, YOU KNOW, I THINK A LOT OF IT DEPENDS ON HOW YOU SEE OTHER PEOPLE BECAUSE IF YOU ARE INTERESTED IN OTHER PEOPLE AND YOU LOVE MAKING CONTACT WITH PEOPLE, AND YOU APPRECIATE THEM, EVEN THOUGH THEY'RE DIFFERENT FROM YOU, YOU KNOW, OR EVEN MAYBE THEY DON'T UNDERSTAND YOU AS WELL, BUT IF YOU OPEN YOURSELF UP TO OTHER PEOPLE, I THINK IT GIVES YOU STRENGTH AND TEACHES YOU SO MUCH.
I MEAN THE KIND OF PERSON WHO SAYS WELL I KNOW EVERYTHING I NEED TO KNOW, THAT'S GOING TO BE REALLY TOUGH TO FOLLOW YOUR DREAM.
I MEAN YOUR DREAM HAS TO BE TAKING IN AS MUCH AS YOU CAN AND WHO DO WE LEARN FROM WE LEARN FROM PEOPLE.
AFTER WE LEAVE SCHOOL, WE DON'T HAVE OUR TEACHERS ANYMORE, BUT WE ARE CONSTANTLY LEARNING.
I KNOW I LEARN EVERY DAY FROM THE PEOPLE IN THAT ORCHESTRA, BUFFALO OR WHEREVER I'M WORKING.
AND I LOVE THEM.
I LOVE BEING WITH PEOPLE SO I THINK THAT THAT CONNECTION TO PEOPLE IS WHAT MAKES OUR JOURNEY BEAUTIFUL.
>> YEAH.
>> I'M HANGING ON TO YOUR EVERY WORD.
>> YOU KNOW THIS ALREADY.
>> I MEAN I BELIEVE IT.
I BELIEVE CONNECTING WITH PEOPLE , I THINK, BEING VULNERABLE... >> YES,.
>> RIGHT, BEING OPEN TO LEARNING >> YES.
>> I DON'T KNOW HOW MUCH WE TALK ABOUT THAT AS IMPORTANT TOOLS FOR LEADING.
>> YOU SAID AN INTERESTING THINGS LIKE VULNERABILITY.
I THINK THAT'S IMPORTANT BECAUSE SOMETIMES PEOPLE GET FRIGHTENED OF THEIR DREAM BECAUSE THEY THINK THEY HAVE TO KNOW EVERYTHING AND IF THEY DON'T KNOW EVERYTHING, THEY CAN'T DO IT.
BUT WE ARE ALWAYS CHANGING AND GROWING AND SOMETIMES THE WAY OF REALIZING, I DON'T REALLY KNOW THAT.
CAN I ASK SOMEONE ABOUT IT, TO HELP ME?
AND TO SHOW THAT VULNERABILITY, TO SHOW THAT FEELING THAT I NEED YOU.
I NEED YOU TO HELP ME WITH THIS.
THAT HELPS US SO MUCH, SO I THINK TO BE ABLE TO UNDERSTAND THAT WE ARE GROWING AND THAT WE HAVE A KIND OF SENSE OF VULNERABILITY, THAT'S NOT BAD.
THAT'S GOOD BECAUSE THAT IS GOING TO LEAD US TO CONNECT WITH OTHER PEOPLE AND PEOPLE ARE SO-- AT THE CORE, SO WONDERFUL THAT IF THEY SEE THAT SOMEONE NEEDS SOMETHING, THEY WANT TO BE THERE, THEY WANT TO HELP.
OKAY, I CAN HELP YOU WITH THAT.
LET'S TALK ABOUT THAT.
>> AND I THINK THAT'S IMPORTANT, ESPECIALLY IN THE FIELD OF THE ARTS BECAUSE I THINK ABOUT THE ORCHESTRA AS A VERY PRIVILEGED SPACE.
THE ACCESS TO INSTRUMENTS, THE TRAINING THAT YOU NEED, THE EXZ POSE YOUR TO OPPORTUNITIES AND I THINK ABOUT ME STEPPING OUT 234 FRONT OF AN ORCHESTRA AND ENGAGING WITH THEM IT TOOK COURAGE TO DO THAT.
>> IN THE END, WASN'T IT GLORIOUS?
>> I'M THINKING ABOUT THE CONFIDENCE THAT CAME FROM THAT.
BUT TO START OUT I DON'T KNOW ANYTHING.
I DON'T KNOW HOW MANY CLASSICAL MUSIC ALBUMS I'VE ACTUALLY LISTENED TO IN MY LIFETIME, BUT... >> BUT IT DIDN'T MATTER.
>> BUT YOU ARE RIGHT, IT TOOK COURAGE TO DO THAT.
IT TOOK A LOT OF COURAGE AND AT THE END, YOU REALIZED I SHOULDN'T HAVE BEEN SCARED.
I HAD NO WAY OF KNOWING THAT AND I THINK THAT'S TRUE OF ALL OF US.
WE COME INTO SITUATIONS AND WE ARE FRIGHTENED OF IT AND THAT MEANS WE COME OUT STRONGER BUT YOU HAD TO TAKE THAT FIRST STEP.
>> THE FIRST STEP.
I'M HOPING AND LISTENING TO OUR CONVERSATION THAT YOU ARE INSPIRING SOMEONE ELSE TO TAKE THAT FIRST STEP.
>> AND I THINK IT'S IMPORTANT.
PEOPLE WILL TELL US, YOU CAN'T DO THAT.
THOSE ARE NOT THE PEOPLE WHO CAN HELP YOU.
YOU KNOW, YOU WANT TO FIND THE PEOPLE WHO SAY LET'S TRY.
WHY DON'T YOU TRY AND I WILL BE THERE WITH YOU OR I WILL BE THERE FOR YOU.
THOSE ARE THE PEOPLE WHO ARE GOING TO HELP YOU ON THIS JOURNEY.
SO I THINK THAT THERE IS SO MUCH WE CAN DO IF WE BELIEVE IN OURSELVES.
IT'S NOT ALWAYS EASY, BUT IF YOU HAVE A DREAM, WHETHER IT'S CONDUCTING AN ORCHESTRA OR ACTING OR PAINTING A PICTURE WHEN NO ONE THINKS THAT THEY DON'T UNDERSTAND WHAT YOU ARE DOING, BUT JUST BELIEVE IN YOURSELF.
>> JUST BELIEVE IN YOURSELF.
WELL, THANK YOU JOANN.
THANK YOU SO MUCH FOR THAT.
THANK YOU FOR JOINING US TONIGHT AS WE LISTEN TO JOANN SHARE HER STORY AND HOPEFULLY SHOW US ALL HOW AN ORCHESTRA CAN CAPTURE THE ESSENCE OF A COMMUNITY IF YOU WOULD LIKE TO VIEW THIS EPISODE AGAIN, OR WATCH PAST SEASONS OF THE SHOW, GO TO WCNY.ORG/BEHINDTHEWOMAN.
ON THE NEXT EPISODE, JOIN ME AS I SIT DOWN WITH AUTHOR, WITH THE CHIEF PHILANTHROPY OFFICER OF THE YMCA OF CENTRAL NEW YORK.
MARY ELLA KENNEDY TOWNS WHO IS NOT ONLY RAISING FUNDS BUT ALSO WORKING TO CREATE DIVERSE LEADERSHIP AT THE EXECUTIVE LEVEL.
MY NAME IS Dr. JUHANNA ROGERS AND ON BEHALF OF "BEHIND THE WOMAN," AND THE TEAM HERE, THANK YOU FOR WATCHING.
Behind the Woman is a local public television program presented by WCNY